The Treasury of David — Charles H. Spurgeon
GENERAL, REMARKS. Here we have one of the loftiest and longest sustained flights of the inspired muse. The psalm gives an interpretation to the many voices of nature, and sings sweetly both of creation and providence. The poem contains a complete cosmos sea and land, cloud and sunlight, plant and animal, light and darkness, life and death, are all proved to be expressive of the presence of the Lord. Traces of the six days of creation are very evident, and though the creation of man, which was the crowning work of the sixth day, is not mentioned, this is accounted for from the fact that man is himself the singer: some have ever, discerned marks of the divine rest upon the seventh day in Ps 104:31. It is a poet’s version of Genesis. Nor is it alone the present condition of the earth which is here the subject of song; but a hint is given of those holier times when we shall see “a new earth wherein dwelleth righteousness, “out of which the sinner shall be consumed, Ps 104:35. The spirit of ardent praise to God runs through the whole, and with it a distinct realization of the divine Being as a personal existence, loved and trusted as well as adored.
We have no information as to the author, but the Septuagint assigns it to David, and we see no reason for ascribing it to any one else. His spirit, style, and manner of writing are very manifest therein, and if the psalm must be ascribed to another, it must be to a mind remarkably similar, and we could only suggest the wise son of David—Solomon, the poet preacher, to whose notes upon natural history in the Proverbs some of the verses bear a striking likeness. Whoever the human penman may have been, the exceeding glory and perfection of the Holy Spirit’s own divine authorship are plain to every spiritual mind.
DIVISION. After ascribing blessedness to the Lord the devout psalmist sings of the light and the firmament, which were the work of the first and second days Ps 104:1-6. By an easy transition he describes the separation of the waters from the dry land, the formation of rain, brooks and rivers, and the uprising of green herbs, which were the produce of the third day Ps 104:7-18. Then the appointment of the sun and moon to be the guardians of day and night commands the poet’s admiration Ps 104:19-23, and so he sings the work of the fourth day. Having already alluded to many varieties of living creatures, the psalmist proceeds from Ps 104:24-30 to sing of the life with which the Lord was pleased to fill the air, the sea, and the land; these forms of existence were the peculiar produce of the fifth and sixth days. We may regard the closing verses Ps 104:31-35 as a Sabbath meditation, hymn, and prayer. The whole lies before us as a panorama of the universe viewed by the eye of devotion. O for grace to render due praise unto the Lord while reading it.
Exposition
Verse 1. Bless the LORD, O my soul. This psalm begins and ends like the Hundred and Third, and it could not do better: when the model is perfect it deserves to exist in duplicate. True praise begins at home. It is idle to stir up others to praise if we are ungratefully silent ourselves. We should call upon our inmost hearts to awake and bestir themselves, for we are apt to be sluggish, and if we are so when called upon to bless God, we shall have great cause to be ashamed. When we magnify the Lord, let us do it heartily: our best is far beneath his worthiness, let us not dishonour him by rendering to him half hearted worship. O LORD my God, thou art very great. This ascription has in it a remarkable blending of the boldness of faith, and the awe of holy fear: for the psalmist calls the infinite Jehovah “my God, “and at the same time, prostrate in amazement at the divine greatness, he cries out in utter astonishment, “Thou art very great.” God was great on Sinai, yet the opening words of his law were, “I am the Lord thy God; ” his greatness is no reason why faith should not put in her claim, and call him all her own. The declaration of Jehovah’s greatness here given would have been very much in place at the end of the psalm, for it is a natural inference and deduction from a survey of the universe: its position at the very commencement of the poem is an indication that the whole psalm was well considered and digested in the mind before it was actually put into words; only on this supposition can we account for the emotion preceding the contemplation. Observe also, that the wonder expressed does not refer to the creation and its greatness, but to Jehovah himself. It is not “the universe is very great!” but “THOU art very great.” Many stay at the creature, and so become idolatrous in spirit; to pass onward to the Creator himself is true wisdom.