“Arise, make haste, my love, my dove, my beautiful one, and come. For the winter is now past, the rain is over and gone. The flowers have appeared in our land.” Cant., ii. 10-12.
1 We have familiar experience of the order, the constancy, the perpetual renovation of the material world which surrounds us. Frail and transitory as is every part of it, restless and migratory as are its elements, never-ceasing as are its changes, still it abides. It is bound together by a law of permanence, it is set up in unity; and, though it is ever dying, it is ever coming to life again. Dissolution does but give birth to fresh modes of organization, and one death is the parent of a thousand lives. Each hour, as it comes, is but a testimony, how fleeting, yet how secure, how certain, is the great whole. It is like an image on the waters, which is ever the same, though the waters ever flow. Change upon change—yet one change cries out to another, like the alternate Seraphim, in praise and in glory of their Maker. The sun sinks to rise again; the day is swallowed up in the gloom of the night, to be born out of it, as fresh as if it had never been quenched. Spring passes into summer, and through summer and autumn into winter, only the more surely, by its own ultimate return, to triumph over that grave, towards which it resolutely hastened from its first hour. We mourn over the blossoms of May, because they are to wither; but we know, withal, that May is one day to have its revenge upon November, by the revolution of that solemn circle which never stops—which teaches us in our height of hope, ever to be sober, and in our depth of desolation, never to despair.
And forcibly as this comes home to every one of us, not less forcible is the contrast which exists between this material world, so vigorous, so reproductive, amid all its changes, and the moral world, so feeble, so downward, so resourceless, amid all its aspirations. That which ought to come to nought, endures; that which promises a future, disappoints and is no more. The same sun shines in heaven from first to last, and the blue firmament, the everlasting mountains, reflect his rays; but where is there upon earth the champion, the hero, the lawgiver, the body politic, the sovereign race, which was great three hundred years ago, and is great now? Moralists and poets, often do they descant upon this innate vitality of matter, this innate perishableness of mind. Man rises to fall: he tends to dissolution from the moment he begins to be; he lives on, indeed, in his children, he lives on in his name, he lives not on in his own person. He is, as regards the manifestations of his nature here below, as a bubble that breaks, and as water poured out upon the earth. He was young, he is old, he is never young again. This is the lament over him, poured forth in verse and in prose, by Christians and by heathen. The greatest work of God’s hands under the sun, he, in all the manifestations of his complex being, is born only to die.
His bodily frame first begins to feel the power of this constraining law, though it is the last to succumb to it. We look at the bloom of youth with interest, yet with pity; and the more graceful and sweet it is, with pity so much the more; for, whatever be its excellence and its glory, soon it begins to be deformed and dishonoured by the very force of its living on. It grows into exhaustion and collapse, till at length it crumbles into that dust out of which it was originally taken.
So is it, too, with our moral being, a far higher and diviner portion of our natural constitution; it begins with life, it ends with what is worse than the mere loss of life, with a living death. How beautiful is the human heart, when it puts forth its first leaves, and opens and rejoices in its spring-tide. Fair as may be the bodily form, fairer far, in its green foliage and bright blossoms, is natural virtue. It blooms in the young, like some rich flower, so delicate, so fragrant, and so dazzling. Generosity and lightness of heart and amiableness, the confiding spirit, the gentle temper, the elastic cheerfulness, the open hand, the pure affection, the noble aspiration, the heroic resolve, the romantic pursuit, the love in which self has no part,—are not these beautiful? and are they not dressed up and set forth for admiration in their best shapes, in tales and in poems? and ah! what a prospect of good is there! who could believe that it is to fade! and yet, as night follows upon day, as decrepitude follows upon health, so surely are failure, and overthrow, and annihilation, the issue of this natural virtue, if time only be allowed to it to run its course. There are those who are cut off in the first opening of this excellence, and then, if we may trust their epitaphs, they have lived like angels; but wait a while, let them live on, let the course of life proceed, let the bright soul go through the fire and water of the world’s temptations and seductions and corruptions and transformations; and, alas for the insufficiency of nature! alas for its powerlessness to persevere, its waywardness in disappointing its own promise! Wait till youth has become age; and not more different is the miniature which we have of him when a boy, when every feature spoke of hope, put side by side of the large portrait painted to his honour, when he is old, when his limbs are shrunk, his eye dim, his brow furrowed, and his hair grey, than differs the moral grace of that boyhood from the forbidding and repulsive aspect of his soul, now that he has lived to the age of man. For moroseness, and misanthropy, and selfishness, is the ordinary winter of that spring.